I was really excited to have a drawing included in the Drawing Biennial 21 and hugely grateful to be nominated by Victoria Pomery. And I was stunned by the review in The Spectator by Laura Gascoigne:
My favourite drawing? Clare Smith’s ‘Red Tree’. It has no message that could be put into words; she has simply let the image bloom on the paper. Laura Gascoigne, The Spectator, 19 June 2021 in her review of the Drawing Biennial at the Drawing Room.